2025

Cover Art: Painting of an Afghan Girl by Mary Angela Quiambao
Editor’s Note
I find it a great privilege to have access to the resources to run Diamond Gazette, to have been able to start this initiative in the first place. It’s also an immense privilege to have the final call in selecting works for the magazine. A privilege that writers are comfortable enough to share their thoughts, the ideas crawling around in their minds that they can’t quite articulate out loud but make sense, take shape, become something real, when it’s words on paper (I know the feeling). I read personal pieces everyday, vulnerable moments that make me blush or want to hold the writer’s hand through the screen or make me feel as if I am an intruder in their room.
Because of this amount of privilege I rarely let on to my friends or family the difficult parts of running the Gazette. When I am discussing the magazine with others, it’s mostly in the form of “Check out the latest issue!” or “Isn’t this artwork so awesome?!” In fact, right now as I am drafting this editor’s note in my Notes app, my mother is beside me, marveling at the wide range of authors featured in this issue (“Wow, this one is an undergrad biology student. And this is a poet from Poland!”). I take pride in the youth we publish and their raw talent. But I won’t pretend that there aren’t any hardships of being EIC — this year in particular, numerous technical difficulties and editing delays resulted in the push back of this issue’s release.
It’s easy to get caught up in deadlines and feel as if you’re letting people down during slow moments, especially when there is a community of youth thriving off of the Gazette’s work and making their voices heard. But the support from everyone has not gone unnoticed. Although I’ve sworn off of energy drinks, the encouraging and grateful comments and emails the Gazette receives regularly have acted as caffeine boosts throughout the year that allowed me to push through no matter what and get this issue out.
I would like to thank everyone for remaining patient as we navigated the unique challenges of being young and at once being for-youth. I think it goes without saying at this point, but I’m always giving infinite thanks to all our writers, staff, and readers.
I hope you didn’t miss us too much 😉 And if you did, this highly-anticipated issue won’t disappoint.
Happy reading,
Chloe Chang
Editor-In-Chief
Art
Painting of an Afghan Girl by Mary Angela Quiambao
The Violin by The Illustrious Sanguine
Poetry
Ode to Lady Stardust by Ana Achata
Unfinished Exit by Claudia Wysocky
A Writer’s Passage by Soly Assefa
13 Ways to Hold a Hand by Fatema Rahaman
I Am. by Annalise Watkins
Tetraptych of the Heart’s Chambers by Amy Hu
I Want You by Emily Ruxton
Vernix by Presley Pendergrass
Penalties of a Father’s Love by Newton Tran
Loose Ends by Audrey Wu
Bicycles by Audrey Wu
Ode to My Sixteen-Year-Old Self by Kori Elise Chamberlin
The Lottery by Sina Müller
Exploration of Identity by Alessandra Gonzalez
Better is a Sacrifice Sometimes by Ayumi Inoue
Orange Mornings by Aisha Ali
French Bread by Mateo Moura Forero
Fiction
Daddy Issues by Ava Gladdin
Man On the Moon by M. Bluman
Teenage Dream by Kimi Bulos
The Two Dancing Trees by Hannah Fuller-Saucedo
4: Farewell by Irisu Myoujou
I Killed Her by Laurel Clark
Her Name by Calypso Morgan
The Cage by Kaelynn Vuong
A Haines Ring Shout by Erik Reichmeider
Blood On My Hands by Billie Kane
A Heralding by Keylor Hale
The Goat King by Mahiba Bhuiyan
To Reese by Amanda Esther Sedaka
The Color of his Eyes by Asher Oliver
Creative Nonfiction
Whitewashed Dreams, Golden Roots by Michelle Ssengendo
The Cycle of a Flower by Gabby Dessin
Fossils by Nicole Subkhanberdina
Lambing Season by Audrey Wu
The Beast by Kaelynn Vuong
Reframed: The Art of Recovery by Evelyn Byrne
Part of the Right Side by Andy Liu
Lone Star, Under Sirius by Yara Faytrouni
Castle Hill by Hansel Figueroa
Autolysis by Maria Buczak
This, and This. by Priyanka Sen
Plum Juice by Inaayah Khan
