2025

Cover Art: Painting of an Afghan Girl by Mary Angela Quiambao

Editor’s Note

I find it a great privilege to have access to the resources to run Diamond Gazette, to have been able to start this initiative in the first place. It’s also an immense privilege to have the final call in selecting works for the magazine. A privilege that writers are comfortable enough to share their thoughts, the ideas crawling around in their minds that they can’t quite articulate out loud but make sense, take shape, become something real, when it’s words on paper (I know the feeling). I read personal pieces everyday, vulnerable moments that make me blush or want to hold the writer’s hand through the screen or make me feel as if I am an intruder in their room.

Because of this amount of privilege I rarely let on to my friends or family the difficult parts of running the Gazette. When I am discussing the magazine with others, it’s mostly in the form of “Check out the latest issue!” or “Isn’t this artwork so awesome?!” In fact, right now as I am drafting this editor’s note in my Notes app, my mother is beside me, marveling at the wide range of authors featured in this issue (“Wow, this one is an undergrad biology student. And this is a poet from Poland!”). I take pride in the youth we publish and their raw talent. But I won’t pretend that there aren’t any hardships of being EIC — this year in particular, numerous technical difficulties and editing delays resulted in the push back of this issue’s release.

It’s easy to get caught up in deadlines and feel as if you’re letting people down during slow moments, especially when there is a community of youth thriving off of the Gazette’s work and making their voices heard. But the support from everyone has not gone unnoticed. Although I’ve sworn off of energy drinks, the encouraging and grateful comments and emails the Gazette receives regularly have acted as caffeine boosts throughout the year that allowed me to push through no matter what and get this issue out.

I would like to thank everyone for remaining patient as we navigated the unique challenges of being young and at once being for-youth. I think it goes without saying at this point, but I’m always giving infinite thanks to all our writers, staff, and readers.

I hope you didn’t miss us too much 😉 And if you did, this highly-anticipated issue won’t disappoint.

Happy reading,
Chloe Chang
Editor-In-Chief

Art

Painting of an Afghan Girl by Mary Angela Quiambao

The Violin by The Illustrious Sanguine

Poetry

Ode to Lady Stardust by Ana Achata

Unfinished Exit by Claudia Wysocky

A Writer’s Passage by Soly Assefa

13 Ways to Hold a Hand by Fatema Rahaman

I Am. by Annalise Watkins

Tetraptych of the Heart’s Chambers by Amy Hu

I Want You by Emily Ruxton

Vernix by Presley Pendergrass

Penalties of a Father’s Love by Newton Tran

Loose Ends by Audrey Wu

Bicycles by Audrey Wu

Ode to My Sixteen-Year-Old Self by Kori Elise Chamberlin

The Lottery by Sina Müller

Exploration of Identity by Alessandra Gonzalez

Better is a Sacrifice Sometimes by Ayumi Inoue

Orange Mornings by Aisha Ali

French Bread by Mateo Moura Forero

Fiction

Daddy Issues by Ava Gladdin

Man On the Moon by M. Bluman

Teenage Dream by Kimi Bulos

The Two Dancing Trees by Hannah Fuller-Saucedo

4: Farewell by Irisu Myoujou

I Killed Her by Laurel Clark

Her Name by Calypso Morgan

The Cage by Kaelynn Vuong

A Haines Ring Shout by Erik Reichmeider 

Blood On My Hands by Billie Kane

A Heralding by Keylor Hale

The Goat King by Mahiba Bhuiyan

To Reese by Amanda Esther Sedaka

The Color of his Eyes by Asher Oliver

Creative Nonfiction

Whitewashed Dreams, Golden Roots by Michelle Ssengendo

The Cycle of a Flower by Gabby Dessin

Fossils by Nicole Subkhanberdina

Lambing Season by Audrey Wu

The Beast by Kaelynn Vuong

Reframed: The Art of Recovery by Evelyn Byrne

Part of the Right Side by Andy Liu

Lone Star, Under Sirius by Yara Faytrouni

Castle Hill by Hansel Figueroa

Autolysis by Maria Buczak

This, and This. by Priyanka Sen 

Plum Juice by Inaayah Khan